Introduction

Campaign photography for the launch of Mira's first shield silhouette a single product, shot as sculpture. One model, one light, and nothing else in the frame.

Campaign photography for the launch of Mira's first shield silhouette a single product, shot as sculpture. One model, one light, and nothing else in the frame.

Campaign photography for the launch of Mira's first shield silhouette a single product, shot as sculpture. One model, one light, and nothing else in the frame.

Scope

Campaign

Social

Timeline

3 weeks

Mira Eyewear

Mira Eyewear

Mira Eyewear

(01)

Art Direction & Photography

2025

(02)

Overview

Challenge

Challenge

Mira was entering eyewear's most crowded season with one product: an oversized shield in gloss black. Every competitor launch that quarter leaned on lifestyle.

Solution

We treated the shield as the only black mass in a white void. Front-on symmetry, wet-slicked hair to keep every line vertical, and skin lit to a soft gloss so the matte-black acetate reads as an interruption.

Process

Week one was casting and pre-light: we tested four lighting setups against the gloss acetate and kept the simplest, one large frontal source and a white sweep, tuned until the lens reflection read as a clean horizon line instead of studio clutter.

Week two was the shoot: two days in-studio, 41 setups, working through the shot system from widest to tightest.

(03)

Final Thoughts

Conclusion

Conclusion

The campaign shipped exactly as shot. No last-minute lifestyle frames, no compromise crops. The shield sold through its first run in five weeks, and the hero image ran unchanged from homepage to out-of-home, which was the original test: one set of pictures strong enough to be the entire launch.

FAQ

The questions every client asks before starting
answered straight.

More questions?

Contact us and let's talk

How does the retainer actually work?

You get a monthly block of studio hours and a request queue. We work one request at a time (two on Pro), send progress every 48 hours, and revise until it's right. No scoping calls for every task — you brief, we build.

What's the difference between Standard and Pro?

Hours and speed. Pro carries 70 hours to Standard's 45, runs two requests in parallel, gets priority scheduling, and includes a monthly shoot day in-studio.

Can I pause my retainer?

Anytime. Unused days roll over, and you resume exactly where you left off. There's no minimum term.

What if the first month isn't working out?

If the first week doesn't deliver, the rest of the month is refunded. We'd rather earn the retainer than hold you to it.

Do you work with remote clients?

Yes — most projects run fully remote with weekly review calls. Shoots happen in our studio or on location; product can be shipped to us.

What do we receive at handover?

Everything: source files, brand guidelines, edited imagery, editable templates, and a walkthrough call with your team. The goal is that you don't need us for daily work.

FAQ

The questions every client asks before starting
answered straight.

More questions?

Contact us and let's talk

How does the retainer actually work?
What's the difference between Standard and Pro?
Can I pause my retainer?
What if the first month isn't working out?
Do you work with remote clients?
What do we receive at handover?