© 2024 Alta®

About Alta®

About Alta®

About Alta®

The people behind the work
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Projects Delivered

Beautiful is the baseline. We care whether it works, scales, and moves the business.

Beautiful is the baseline. We care whether it works, scales, and moves the business.

Beautiful is the baseline. We care whether it works, scales, and moves the business.

Most clients come to us when they've outgrown the way they look, sound, or show up. Many stay well past launch, for photography, campaigns, motion, and the content systems that keep a brand coherent as the company grows.

Most clients come to us when they've outgrown the way they look, sound, or show up. Many stay well past launch, for photography, campaigns, motion, and the content systems that keep a brand coherent as the company grows.

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Dubai

Our studio

Our studio

Our studio

Created in Dubai. Born in Manila

Our process

 The process behind the work

The process behind the work

 The process behind the work

Every project runs the same four steps. Boring on purpose, so the work never is.

Every project runs the same four steps. Boring on purpose, so the work never is.

Discover

Discover

We start with a focused working session on your market, your audience, and what you're actually trying to become. You talk, we ask, and by the end we both know what the work has to do.

Define

Define

We come back with one clear creative direction, argued for in writing, not three options to pick between. We agree on it together before any design begins, so every decision after has something to answer to.

Design

Design

Identity, content, and visuals get built together as one system, not in sequence as separate deliverables. You see progress every week in a working review, so nothing arrives as a surprise and nothing drifts from the direction we agreed.

Deliver

Deliver

Everything transfers to you: guidelines, source files, imagery, and the templates your team will actually use. We walk you through all of it on a call, so the system runs without us from day one, and we stay on hand when you need us.

Clients

2024-2026©

Awards

(Awards 24-26©)

Achievements

Achievements

Achievements

Photography Annual 2026

The Mira Eyewear launch campaign was selected for the Photography Annual, from over 4,000 entries.

Frames selected

The full final edit made the Annual

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Setups in two days

One product, one light, and a shot system

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Lifestyle shots

The whole campaign, made inside a white void.

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Photography Annual 2026

The Mira Eyewear launch campaign was selected for the Photography Annual, from over 4,000 entries.

Frames selected

The full final edit made the Annual

0

Setups in two days

One product, one light, and a shot system

0

Lifestyle shots

The whole campaign, made inside a white void.

0

Photography Annual 2026

The Mira Eyewear launch campaign was selected for the Photography Annual, from over 4,000 entries.

Frames selected

The full final edit made the Annual

0

Setups in two days

One product, one light, and a shot system

0

Lifestyle shots

The whole campaign, made inside a white void.

0

 We make the work for clients, not juries. But when it gets recognized anyway, we keep the certificates. A selection from the last three years.

We make the work for clients, not juries. But when it gets recognized anyway, we keep the certificates. A selection from the last three years.

Award

Date

D&AD

2026

Wood Pencil, Brand Identity

Red Dot

2025

Brands & Communication Design

Awwwards

2025

Site of the Day

Type Directors Club

2024

Merit, Craft in Motion

CSS Design Awards

2024

Merit, Craft in Motion

Team

Our Team

Our Team

Our Team

An integrated team of designers, engineers, and operators, collaborating from initial concept to final delivery.

An integrated team of designers, engineers, and operators, collaborating from initial concept to final delivery.

Founder & Creative Director

(01)

Caprice

Kim

 Caprice runs the business side of the studio: partnerships, planning, and the calendar discipline that keeps eight projects a quarter meaning eight. She's the reason clients always know what happens next, and the reason the studio can afford to say no. If you've had a call with us, it probably started with her.

Founder & Creative Director

(01)

Caprice

Kim

Caprice runs the business side of the studio: partnerships, planning, and the calendar discipline that keeps eight projects a quarter meaning eight. She's the reason clients always know what happens next, and the reason the studio can afford to say no. If you've had a call with us, it probably started with her.

Founder & Creative Director

(01)

Caprice

Kim

Content Systems Lead

(02)

Talvinder

Gray

Content Systems Lead

(02)

Talvinder

Gray

 Tal builds the part of the brand that lives longest: the templates, toolkits, and social systems client teams run after we leave. She writes guidelines in plain language and tests them on people who've never opened a design tool, because a system only counts if it survives a Tuesday morning without us. Half the studio's client return rate is work coming back to her.

Content Systems Lead

(02)

Talvinder

Gray

Tal builds the part of the brand that lives longest: the templates, toolkits, and social systems client teams run after we leave. She writes guidelines in plain language and tests them on people who've never opened a design tool, because a system only counts if it survives a Tuesday morning without us. Half the studio's client return rate is work coming back to her.

Photographer

(03)

Omar

Haddad

 Omar shoots every campaign in-house, from pre-light tests to the final grade, which is why our identities and our imagery never feel like they came from two rooms. He plans shoots to the minute and leaves nothing to luck except the weather. Ask him about the five-and-a-half-hour day on black sand.

Photographer

(03)

Omar

Haddad

Omar shoots every campaign in-house, from pre-light tests to the final grade, which is why our identities and our imagery never feel like they came from two rooms. He plans shoots to the minute and leaves nothing to luck except the weather. Ask him about the five-and-a-half-hour day on black sand.

Photographer

(03)

Omar

Haddad

Design Director

(04)

Amira

Volkova

Design Director

(04)

Amira

Volkova

 Amira leads identity from first sketch to shipped guideline, and owns the rulebooks that let client teams run their brands without us. She's drawn more wordmark passes than anyone in the studio, and killed more of her own work than anyone too. The systems survive because she's ruthless before launch, not after.

Design Director

(04)

Amira

Volkova

Amira leads identity from first sketch to shipped guideline, and owns the rulebooks that let client teams run their brands without us. She's drawn more wordmark passes than anyone in the studio, and killed more of her own work than anyone too. The systems survive because she's ruthless before launch, not after.

Motion Designer

(05)

Leo

Tanaka

 Leo turns identities into film, loops, and everything that moves, including a garage that never existed for a race series that does now. He believes motion is a brand's tone of voice at 24 frames a second. The quietest person in the studio, with the loudest showreel.

Motion Designer

(05)

Leo

Tanaka

Leo turns identities into film, loops, and everything that moves, including a garage that never existed for a race series that does now. He believes motion is a brand's tone of voice at 24 frames a second. The quietest person in the studio, with the loudest showreel.

Motion Designer

(05)

Leo

Tanaka

Our Approach

 Brand in motion

Brand in motion

Brand in motion

(01)

Direct collaboration

Direct collaboration

We work closely with founders, marketers, and the people who'll actually run the brand day to day, often inside a shared drive or review link they already use. No account layer between you and the person holding the pen.

(02)

Fast feedback loops

Fast feedback loops

Weekly calls, progress every 48 hours or sooner, and clear review cycles at every stage. Decisions keep moving, and nothing waits three weeks to surface a problem you could've flagged on day two.

(03)

Flexible studio setup

Flexible studio setup

Some projects need identity and naming. Others need a full campaign shoot, a brand film, or a content system built to outlast the launch. We shape the team around the brief, not around a fixed package.

(04)

Long-term thinking

Long-term thinking

We build systems, guidelines, and templates that make the next drop easier, not just the current campaign look good. A brand should get simpler to run over time, not harder.

Good design should not stop at the guidelines.

Good design should not stop at the guidelines.

Good design should not stop at the guidelines.

We do not design things just to hand them off.

We shoot the campaign, build the templates, and stay close enough to the brand for it to actually hold up in use.